The Candle in the Window

Introduction

Age brings a different kind of vision – you start to see not just the events themselves, but the human cost behind them, especially the loneliness of those left to carry memory on their own. What once seemed like isolated encounters now reveal themselves as fragments of a larger testimony: moments of endurance, compassion, and faith that shine quietly against the darkness.

My life and the archive have never been separate; they have always been one, and now they are fully intertwined. These reflections are gathered here as a supplement to the memoir, carrying forward the image first recorded in Appendix XXIII. The candle in the window is more than a symbol of memory; it is a reminder of the strength it takes to keep humanity alive, whether through compassion for others, courage in suffering, or faith in unseen companionship. Each meditation is part of a living archive, a way of keeping the flame lit so that witness endures.

Reflection : The Old Lady in Podil

In 1982, as a student wandering through Podil, the old quarter of Kyiv by the river Dnipro, I found myself in streets that seemed forgotten by time. Podil, literally the ‘lower area,’ was a district of  sagging 19th‑century houses and cobbled lanes carrying the air of a fairy tale. Silence hung over the streets, as though history itself had paused there.

Looking down into a basement window, I saw her: an old woman seated at a table, a single candle burning before her. No sound, no movement, only the flame and her stillness. It was as though time had forgotten her, leaving her stranded between centuries. I thought of the life she must have carried: wars, Stalin, hunger, fear. And yet here she sat, not defeated but enduring, her silence more eloquent than any speech. A vision out of Dostoevsky, preserved in candlelight.

Podil in 1982 was a place suspended in time, behind the iron curtain, where lives like hers were hidden from the wider world. To stumble upon her in that moment was almost like uncovering a secret fragment of history, one that most would have walked past without noticing. I felt a shiver of recognition — a premonition, perhaps, that I too might one day sit alone with only memories for company. But instead of fear, I felt a strange calm. To endure, to remember, to keep the flame alive — was that not also a kind of victory?

This vision, first recorded in my memoir (Appendix XXIII),  has stayed with me, and it continues to speak. In these reflections, the candle becomes more than memory: it is compassion for those who suffer alone, and courage to keep humanity alive even when pain tempts hardness. Each meditation is part of a living archive, carrying the flame forward into the present.

 Not Alone

Before I ever went to the Soviet Union, I heard a story on the radio that stayed with me. A BBC correspondent described visiting one of those vast, grey tenement blocks in Poland so common behind the iron curtain. The elevators had long since stopped, the place was empty and depressing. Yet in one apartment he found an old woman living alone. When asked if she felt lonely, she replied: “No, I don’t feel lonely at all, because God is always here with me.”

Her faith, rooted in Poland’s Catholic tradition, gave her strength to endure what otherwise would have been bleak circumstances. To hear such testimony was one thing; later, to see it for myself in Kyiv was another. The candle in Podil was a lived reality of the same truth: that even in isolation, humanity and faith can keep the flame alive.

The Cost of Humanity

In a dream I was offered release from pain, even joy, but at the cost of compassion. The bargain was clear: relief would harden the heart, strip away tenderness, and leave me untouched by the suffering of others. I refused, and walked away. That refusal has stayed with me, for it speaks to the deeper truth that memory and witness demand humanity, even when pain tempts us to abandon it. To keep the flame alive is to resist the easy bargain of hardness, and to endure with conscience intact.

History itself shows the contrast. My Father, through suffering, found compassion and humanity. Others, like the ruthless despot who unleashes war without care, have long since lost theirs. To gain the world but lose the soul is no victory at all. The candle in the window is not only memory and identity, but a reminder of the courage it takes to keep humanity alive, whatever harm has been done. It is a fragile flame, yet it endures, and in its endurance lies the strength of witness.

Supermarine Walrus Mk.1 Airfix 1/48 scale. No. 276 Squadron, Royal Air Force Harrowbeer, Devon, 1944.

The Spirit of the Walrus

This is the story of my latest model build — but more than that, it’s a small reflection on meaning, perseverance, and why these little creations matter.

Today the goal was simple: complete the base for my Supermarine Walrus. She’s been sitting in my modelling stash for years, waiting patiently, and now she stands proudly on my table, resting on a layer of tarmac and grass I carefully laid down.

Why the Walrus?

I’m not entirely sure why she appealed to me so much, but I knew sooner or later I’d tackle her. Maybe it was the challenge of the rigging, something I didn’t feel ready for until recently, when I finally had the right tools and enough confidence in my techniques.

The Walrus is quaint, ungainly, a little battered-looking — a relic of another era, but full of character. In some ways, I see a reflection of myself in her: weathered, perhaps, but still flying, still holding together.

When I applied the tarmac, it even smelled like asphalt! I may not be able to go out and dig roads these days, but I can do it on my modelling desk. I sat there looking at my Walrus bathed in sunlight, perched on the tiny airfield base, and I felt a quiet glow of pride. Even if I have a bloodshot eye from five weeks of squinting, it was worth it!


The completed Supermarine Walrus model, on its tarmac-and-grass base. Model completed at Buller Road, May 2025 — dedicated to quiet perseverance and the spirit of things.

The Spirit of the Walrus

There’s a small figure sitting proudly on the modelling table now:
a Supermarine Walrus — quaint, ungainly, something from another era.
She’s rigged with delicate care, perched on a weathered base of tarmac and grass.
Weeks of patient work, steadying the hand, squinting under the light,
facing small frustrations, aching legs, tired eyes,
but now here she is: complete.

And it’s not just another model finished.
The Walrus is a symbol —
a little like her maker:
ungainly, weathered, a little worn by time,
but still here, still flying,
still carrying the quiet spirit of perseverance.

One day, of course, she’ll just be
a crumpled pile of broken plastic under a pile of dust,
forgotten, like so much else.
But that doesn’t matter.
Because meaning isn’t in the thing
it’s in the making,
in the experience,
in what she meant to the hands and heart that shaped her.

Old age is not graceful, not in the way people like to pretend.
It’s a daily test:
painful steps, tiredness, the effort of simply going on.
But there are still these moments of light:
small, private victories,
small creations that say I am still here,
still making, still caring, still bringing something into being.

Not showy, not lasting,
but full of meaning.
And that, in the end, is what counts.

“A Note to Myself”

This little Walrus is more than a model.
She carries the long hours, the careful work,
the frustrations overcome, the tiny victories achieved.
She reminds me that I am still here —
still making, still shaping, still bringing meaning
into small corners of the world.
Even when life feels heavy or tired,
there are still moments of creation,
moments that are mine,
and that is enough.

Buller Road and the Spirit of Things

It struck me the other day that, in some odd way, the Walrus and I share more than just the modelling table. We both live on Buller Road — named after Sir Redvers Buller, a general famed for both heroic bravery and flawed command. Maybe that’s me too.

There’s something meaningful about the whole process. One day, this model will just be a crumpled pile of broken plastic under a layer of dust. But that doesn’t matter. What matters is the experience of making it, the story it tells, the meaning it holds for me right now.

Funny thing to say about a piece of plastic, but she carries all of me in a way.

Not just the work of my hands, but something of my spirit too…

RAF HARROWBEER, DEVON, TODAY

RAF Harrowbeer — Homage to the Walrus’s Home

These photos of RAF Harrowbeer (now a museum) pay homage to the airfield where my Walrus once operated during World War II. Situated in Devon, not far from where I live, Harrowbeer was a key base for coastal patrols and air-sea rescues. Including these images honours both the plane and its history, grounding my model in the real world and connecting my personal passion to the legacy of those times.


Harrowbeer-a brief history

This World War II airfield was part of 10 Group Fighter Command. It was opened on 15 August 1941 and closed in July 1945. Rubble from the blitz on Plymouth was used as hardcore during construction. Most free-standing structures have long gone. However, many clues to their existence still survive.

Nationalities known to serve here were British, Polish, Canadian, American, French and Czechoslovakian.

Amongst the aircraft flown from here were the Spitfire, Hurricane, Blenheim, Walrus, Mustang, Typhoon and Anson. Harrowbeer provided aircraft for convoy protection against E-boats and U-boats in the English Channel and, later, aircraft to escort bombers attacking targets in the area of the Brest peninsula.

Harrowbeer was also home to 276 Squadron, Air Sea Rescue (ASR). At times there were over 2,000 people serving on this airfield.

Ravenscroft (Location 20) was used as the Officers’ Mess until 1943.

It then became the headquarters for 276 Squadron ASR. Knightstone (Location 19) was the first Watch Office (Control Tower) and the headquarters for 78 Signals Wing (1941) and then in 1944 the headquarters for 838 Squadron Fleet Air Arm.

The Memorial Stone was placed at Leg O’Mutton on 15 August 1981 and unveiled by Group Captain the Hon. E.F. Ward, the first Commanding Officer of R.A.F. Harrowbeer.

M10 IIC Achilles British Tank Destroyer and M3A2 U.S. Armoured personnel carrier. 1/35 Tamiya kits. ‘Anglo-American Expeditionary Force’, somewhere in Italy late 1944.

Drone view!

This diorama turned out to be a fairly lengthy process stretching over several weeks in the end but I think the results justified the effort and time. The M3A2 is showing its age a bit from the 70s and the figures are not up to today’s standards, but still a lovely kit. The M10 Achilles British tank destroyer just exudes quality and is packed with details which I have tried to display in the photos. Must rank as one of Tamiya’s very best kits of recent years.

The Achilles was based on the American M10 tank destroyer, brilliant combination of American design and British adaptability! The gun was 17pdr a big hitter.
The figures are Mini Art. Group of GIs having a break from fighting! One is reading Life magazine, two playing cards on top of a newspaper. The walls and farm gate are also Mini Art.

This was my first venture into Allied armour of WW2 in the European as opposed to North African theatre. However, I am sure it wont be my last! But have no doubt, I shall be returning to the eastern front forthwith! Watch this space!!

A lovely kit packed with interesting details
The figures exude the British bull dog character!
The soldier with the bandaged head is a German POW!
Basking in the Italian sunset!
An oldie but a goodie!

FMA IA Pucara Kinetic Gold 1/48

This was a fine quality model by Chinese manufacturer Kinetic only let down by extremely poor instructions, lack of comprehensive painting guidance, and no ordnance whatsoever!

Apart from that, the build itself was relatively straightforward. I added a lot of weight inside the nose, as with the tri-cycle undercarriage configuration, it would have been a tail sitter.

Twenty-four Pucaras were deployed by Argentina to the Falkland islands but were destroyed by the British at Goose Green and Pebble Island before the start of major hostilities (1982). Some captured Pucaras were returned to the UK and displayed in museums.

Here is what Kinetic says about the Pucara

… Argentine ground-attack and counter-insurgency (COIN) aircraft manufactured by the Fabrica Militar de Aviones. It is a low-wing twin-turboprop all-metal monoplane with retractable landing gear, capable of operating from unprepared strips when operationally required. The type saw action during the Falklands War and the Sri Lankan Civil War.

The Pucara (Quechua:Fortress) was designed for operations from short, rough airstrips. The retractable tricycle landing gear, with a single nosewheel and twin mainwheels retracting into the engine nacelles, is fitted with low pressure tyres to suit operations on rough ground, while the undercarriage legs are tall to give good ground clearance for underslung weapons loads.

Twin 20mm machine guns either side just below cockpit

The Pucara, the best thing to ever come out of Argentina apart from Diego Maradona!!

Lanchester Armoured Car Russian Service First World War. Copper State Models 1/35. Ukrainian Front.

Copper State Models of Latvia make superlative vehicles and figures from the First World War and just after era. The instruction booklets for the models are done in a very authentic period style. Highly recommended to modellers who enjoy doing something a little different!

Notice the rat by the sign!